Keyword: «cinematic composition in painting»

This article discusses and compares the montage schemes in the construction of creations of art and screen. The purpose of the study to identify common roots underlying the cinematic and art montage formu-las and modifications established long before the birth of the cinema, and then sought it. The obtained re-sults extend our knowledge about the formation of the cinema, the formation of his language and style. The developed material is intended for art experts, culturologists, artists, film experts and all the readers who are interested in art history and its interrelationship with the cinema.