Keyword: «concepts»

The article decodes the poetic-philosophical sense of the expression «poetry-stolen air» which is the main concept of the novel «Green marquee» by L. Ulitskaya, and analyses mutually connected intertext units «Russian metaphysics», «power of the Russian word», that determine the motive and leitmotif structure of the literary work.

For example, the use of modern speech lexical items "this country", "concepts", "cattle" and "amateur" explores the concept of axiological variation linguocultural as the ability to change the name depending on the setting of the subject of the question.

The problem of concepts in the literatures of the peoples of the North is practically not studied. In the proposed work, the concepts of the Even image of the world are revealed for the first time on the material of the work of the Even prose writer Andrei Krivoshapkin, in particular his novel «The Coast of Fate». Ethnographic realities, which form the basis of the national image of the world, were not previously the object of cultural-historical and semantic analysis in the writer's novel work. The textual analysis of the novel made it possible to identify the concepts of the Even culture, to trace their semantic content in the literary text through an appeal to the ethnography and folklore of the Evens.