Keyword: «human-graffiti»

This article is devoted to a topical and problematic direction in art – graffiti, which is interesting for the youth of the whole world, for art and film communities. The authors discuss the prerequisites for the rise and development of the dynamic nature of graffiti culture and the influence of cinema on it. As the result of the analysis, the authors conclude that the cinematic features in the art of modern graffiti appear on the dramatic level, compositional techniques and schemes, shaped and technical solutions, and that the evolution of graffiti with the development of digital technologies have generated the emergence of new audiovisual creative directions. This study will be interesting for art critics and film experts and students of humanitarian universities.