Keyword: «conceptual analysis»

Research of phraseological units functioning as a form of the author’s consciousness in fiction opens up new perspectives in the studies of artistic images. PUs in Zamyatin’s «Farewell from nowhere» express his system of characters and the main idea of human return to Christian values. The article analyses the peculiarities of cognitive approach to studying PUs that contribute to effectively considering internal mechanism of creating the lines of narration and the development of literary themes. The choice of PUs reflects the author’s outlook and his ability to describe the surrounding world by means of PUs semantics. This investigation of the novel language is justified because it helps to understand the author’s motives and dependence on his views.

In article an attempt of the analysis of a concept of "shower" in Z. Prilepin's novel "Monastery" is made. In work the main attention is paid actually to a shower lexeme, its functioning and interpretations in the text. As a result of the analysis the conclusion that the concept of "shower" in the novel "Monastery" will be coordinated with understanding of this concept in the Russian naive language picture of the world is drawn, gravitating at the same time to understanding of soul according to a religious picture of the world and bible tradition.

This article discusses the concept of "concept" and its main features, as well as describes the school's conceptual analysis and various interpretations of modern conceptual techniques.

The conceptual features of the princely power as part of the conceptual sphere of «power» are analyzed. Conceptual oppositions, stable and dynamic conceptual features as meaningful components of the structure of princely power were revealed. Linguistic ways and means of conceptualization are characterized.

In this article features of the lexical representation of the concept of "creativity" are characterized as the basis of M. Lermontov's conceptual sphere. It is asserted that the ethical and aesthetic views of the author are concentrated in the concept of “creativity”. Specially were marked the tendency towards a decreasing in the use of traditional poetic means, and the transition to stylistically neutral lexemes that nominates the author and describes the creative process.