Keyword: «drama»

The article discusses the concept of "author's style", its relationship with the term "idiostyle". The role of the author's style in literary works, in the drama is defined. The features of author’s style by Bernard Shaw as a playwright and creator of "Pygmalion" play are determined. The authors identify those features of the author's style by B. Shaw, which are invariant to translation works. They make analysis of two "Pygmalion" translations with the aim to identify the main features of the author's style representation in translation.

The paper examines linguistic and stylistic features of Shakespeare’s language in “Romeo and Juliet”, the most famous love story of all time. To better illustrate the beauty and innovative character of Shakespeare’s language, one scene from the play is chosen for close reading: Act 1, Scene 5. The practi-cal value of the material lies in step-by-step analysis of the lines that the characters utter, thus revealing the beauty, the nature of imagery, and the true meaning of the characters’ words and behavior.

The article is devoted to the problem of film adaptation of a literary work using the example of the film “Lookut and Nurguhun” (dir. Konstantin Timofeev) based on the lyrical drama of the same name by Timofey Egorovich Smetanin. Analysis of the feature film “Lookut and Nurguhun”.

In this article, the author tried to reveal the theory and art of constructing dramatic works by A. Vampilov. The relevance of the work lies in the fact that a review of critical literature shows that the creative legacy of A. Vampilov remains little explored. The purpose of this article is to analyze the evolution of the hero and conflict in the dramaturgy of A. Vampilov based on a study of the plays «Farewell in June» and «Duck Hunt».