Keyword: «composer»

The article provides an analysis of the piano piece by the Yakut composer Z. Stepanov “Picture of the Past. Ritual dance of a shaman.» Picturesqueness and contemplation in this work are combined with a strong, effective plot, with an active image of a shaman and his ritual. The turn from a leisurely, narrative beginning to an energetic, climactic ending, clearly representing a shamanic action.

The article analyzes the first part of Paul Creston's Concertino for Marimba and Orchestra, where the composer uses a unique concert form, which is a synthesis of the Baroque concert form and the classical concert form with features of double exposure.