Keyword: «chronotope»

The author considers one of the most important early stages in choreographer’s creative process on the choreographic work associated with iconic detent dance. Through analysis of sketch graphics created by famous masters M. Petipa and M Fokin, which creativity evolves from one track to another, there is an attempt to identify and articulate those installations, which are suitable for staging work. The author views the main issues dealt with typologies and the common features of visual forms; identifies key schemes of dance records sign system, specific to each of master; traces the essence and link of nodal concepts concerning ways to draw choreographic image in the process and the creative vision of ballet.

The article analyzes the words and phrases that organize the space-time continuum of the advertising situation. The ratio of spatial and temporal words and phrases forms the chronotope of advertising, quantitative excess of units designating time intervals, tells of the temporary nature of the advertising text as a whole.

The model of the structural-semantic complex is a system that reflects the structure of a literary text in the interrelation of its components. In the article we consider one of the levels of the model of the structural-semantic complex – spatial-temporal, which is an important component of an artistic work. The space-time level defines the category of time and space in a work of art.

This article discusses the term «chronotope», highlights the main components of the chronotope in the literature, identifies the properties of the chronotope, and studies the artistic space and time, their meaning and functions.

The panoramic objects and dynamic transformations of the Far North landscape realities are analyzed in the article; moreover, the natural and weather features of the earth, water, sky, perceptual descriptions of the tundra and a man in it are also observed. The lexical and semantic analysis of the features of visual-sensual images in the lyrics of A. Bazhanov allows us to make a conclusion on the author’s diversity about representation of the surrounding reality and about the dominants of the mapping of the northern nature world.