Keyword: «modern literature»

The article actualizes the significance of the space of the Russian estate and its features in the context of modern Russian literature. In the short story «Nastya» V. Sorokin refers to the mythologems characteristic of the manor culture, which in the analyzed work in the consciousness of the "newly minted intelligentsia" acquire a travestied meaning.

The article examines the original versions of the paratext accompanying the literary text, which are non-textual and relate to the design of the work and its going beyond the boundaries of this publication. In modern Russian fiction, the composition of paratextual devices is expanding, the already familiar elements of paratext (title, abstract, illustrations, table of contents, internal headings, graphic means, binding, etc.) are replenished with new ones: different design of parts of the book, associated with various historical narrative plans; graphic stylization of a new genre (novel-film, novel – computer game); solving a riddle given in the book with a reward to the winner; reading a book from both sides; connection of the book with additional materials using a mobile application, etc. Paratext is not an end in itself; it is connected with the content of the book, adds new information and meaning to it. Original, experimental paratextual elements of paratext attract the attention of readers and help increase sales, despite the rise in price of books as a result of their addition.

based on the linguistic analysis of internal speech, verb constructions and vocabulary of the protagonist of Eduard Verkin's novel "The Dead Man" by Nikita Slashchev, the article examines the contradictory image of a teenager. Aggressive verbal desires ("kill a Ghoul") The character combines them with a consistent rejection of real violent actions, which is fixed through modality constructions. The hero's self-assessment judgments, his reflection on forced friendship and family pressure are analyzed in dynamics: from Denis' perception as a "Ghoul" to his recognition as a "Human Being". The conclusion is made about the inner conflict of the teenager and the possibility of overcoming the crisis of growing up.