Keyword: «audience»

The article examines the influence of the documentary film «Kinoglaz» by DzigaVertov in the history of Soviet cinema. DzigaVertov's creativity becomes the main phenomenon in the formation of non-fiction cinema, that is, documentary filmmaking. The young producer begins to consider cinema no longer as a previously prepared artistic script, which, we note, the society of documentary filmmakers refer to the «fairy tales», but as a living organism perceiving reality in its present form. We are talking about the film «Kinoglaz», which changed the world view of Soviet art. The methods of depicting Vertov's real painting are innovative in the history of cinema, and force many artists to adopt an opinion about the work of realists who seek to convey the value and beauty of everyday life.