Keyword: «documentary»

The article collects and summarizes documentary and artistic material about the feat of women of the republic during the Great Patriotic War. The subject of this article is works of different genres, from the first essays, short stories and ending with stories, novels of the last decades by the leading writers of the republic about the labor feat of Kyrgyz women. The method of comparative analysis is used to determine the tendency of documentary texts to a portrait sketch. As a result of the analysis, it was revealed that literary texts increasingly became psychologically truthful in describing heroines; in Kyrgyz literature, the thematic and genre corpus of works about the feat of women is noticeably expanding. Practical results are offered for use in studying the course of Kyrgyz literature of the 20th century.

The article examines the influence of the documentary film «Kinoglaz» by DzigaVertov in the history of Soviet cinema. DzigaVertov's creativity becomes the main phenomenon in the formation of non-fiction cinema, that is, documentary filmmaking. The young producer begins to consider cinema no longer as a previously prepared artistic script, which, we note, the society of documentary filmmakers refer to the «fairy tales», but as a living organism perceiving reality in its present form. We are talking about the film «Kinoglaz», which changed the world view of Soviet art. The methods of depicting Vertov's real painting are innovative in the history of cinema, and force many artists to adopt an opinion about the work of realists who seek to convey the value and beauty of everyday life.