Lev Melnichyk
Articles
ART 170150
The author studies the issues related to the activity of well-known representative of Russian culture I. A. Vsevolozhsky: the relationship of life and art, the concept of theatricality, costumes designing and dramatic composition. But all these topics are united by the idea of theatre culture and its reflection in Vsevolozhskу’s image and works.
Keywords:
s. m. volkonsky, «world of art», p. pavie, p. granville, m. yochai, c. pugni, radstockism, the hermitage
ART 170043
The paper provides an overview of recent literature about I. A. Vsevolozhsky. The author notes some features of the unique personality of the bright representative of national culture. Considerable space is devoted to originality and artistic attitude of I. A. Vsevolozhsky.
ART 46174
The article is devoted to the Imperial Hermitage beginning of XX century. The growth of the scientific potential of the museum, the scientific life of the rise at this time combined with greater availability to the public institutions. Also in the material in question on the performances of the Hermitage Theatre and a costume ball in 1903.
ART 46173
The article is devoted to the major figures of Russian culture, I.A. Vsevolozhsky. The paper identifies the main, the most revealing aspects of his bright and extraordinary personality. The research is conducted on the background of the broader context of social and artistic life in Russia in the late XIX – XX centuries. The article marked path interference personality Vsevolozhsky and the whole structure of the domestic life of the time. It revealed that the structure-forming principle of the personality and life of Vsevolozhsky was the "harmonious dualism". The material provides a variety of sources on the history of culture.
ART 46172
Based on the analysis survived in the theatre library, St. Petersburg sketches of costumes by I.A. Vsevolozhsky for the play «Sleeping beauty» (1890) – one of the biggest phenomena of the art of ballet, showing the basic principles of theatre aesthetics of Vsevolozhsky, identifies the characteristics of activities of Vsevolozhsky in the field of scenography, is determined by the typology of theatrical costumes of the artist.