Keyword: «языковая картина мира»

The poetic picture of the world, gives its difference from linguistic and conceptual points is examined in the article. The poetic picture of the world is regarded as the result of a specifically poetic worldview. The world created by a poetic word is a world of complex relations, interactions and connections. And it is going on with an extraordinary virtuosity.

This article examines the specifics of the implementation of the dominant garden in the Russian artistic picture of the world. Based on the analysis of the implementation of the lexeme in the general language and individual author’s practices of usage, as well as in various texts, the conceptual, value and figurative components of its semantic structure are identified.

The relevance of the proposed study lies in the fact that the study of binary oppositions, their functioning and features of verbalization in the linguistic and mythopoetic worldviews of a particular author is intended to help reconstruct the model of the world that has formed in his mind. Currently, there are no works devoted to such an analysis of A. Platonov's work.The purpose of our work is to consider the functioning of the binary opposition "earth – sky" in A. Platonov's novel "Chevengur" and to identify the individual author's features of the writer's mythopoetic worldview in relation to the national worldview.