Keyword: «poetics»

The article examines about the demand for literary studies of the highlighted problem as the concept of the unity of man and nature in Russian literature of the 20th century.The novelty of the content of the work lies in the comparative analysis of literary texts by the classics of modern prose G. Troepolsky and the Yakut writer N. Luginov.Based on existing literary criticism about the work of the classics of multinational literature of Russia A. Burtsev, Т. Permyakova and others. It should be noted that the authors set a goal: to identify the text-forming role of the image of a dog in the poetics of stories. Also, a review of criticism shows that Nikolai Luginov’s work in comparative terms with G. Troepolsky’s story was practically not considered independently in the context of the literary archetype of a dog.

The article deals with the study of the aesthetic model of the world in the writings of Ursula K. Le Guin. The author analyses ways of constructing artistic reality in the writer’s works, examining the philosophical and cultural foundations of her aesthetics, as well as the features of poetics stipulating the creation of alternative worlds characterised by integrity and existential significance.

The article examines the semantic field of phytonyms in the selected poetry of Tamara Krasnova-Gusachenko, a Russian-speaking poet from Belarus. Attention is drawn to the functioning of phytonyms in poetic texts, their function is determined, and the specifics of the author's style are revealed. In T. Krasnova-Gusachenko's poetry, phytonyms play a crucial role in creating artistic imagery.