Tamara Gubanova

In article methodical methods of formation of historical concepts on classes in Story of Russia with the students foreigners learning Russian at a stage of pre-university preparation are considered.

Article is devoted to features of formation of historical representations at foreign pupils during studying of history of Russia. In work experience of teaching an introduction course of story with use of the manual "Russia is generalized. History. Events. Facts". The purposes and problems of teaching a course of History of Russia in foreign audience are specified. The problems connected with specifics of the trained contingent are reflected, methods of their solution in educational and out-of-class activity are proposed.

In the scientific article the special importance for ZakharPrilepin's novel "Abode" of a keynote of the tea having wide functionality and the original embodiment in the art text is proved. This romantic image symbolizing a high-spiritual impulse of Russian intelligentsia to search of true sense of life is shown in the work of the modern writer in the terrifying degradation under the influence of the person who has become hardened in a condition of a bogoostavlennost, turned in "cattle" and "slave", the barbarian. Falling of the person, on belief of the writer, conducts also to a mutation of an animal and in general the natural world.

The article deals with the analysis of Kuprin’s little-studied works from the point of view of precedent phe-nomena usage of Old and New Testament in his stories and essay prose. Researches of The Bible allusions and reminiscences as well as symbolic titles of Kuprin’s stories contribute to deep insight into the author’s intention and ways of creating artistic images.

The article decodes the poetic-philosophical sense of the expression «poetry-stolen air» which is the main concept of the novel «Green marquee» by L. Ulitskaya, and analyses mutually connected intertext units «Russian metaphysics», «power of the Russian word», that determine the motive and leitmotif structure of the literary work.