Keyword: «cultural approach»

The paper deals with the analysis of the methodological and theoretical approaches to training future managers of leisure industry. The analysis of modern methodological approaches shows that they have significant scientific opportunities to study and improve the training of future managers of leisure industry.

The article discusses the cultural approach as an important process of teaching Russian as a foreign language (RFL). It is a system integrative pedagogical concept that functionally implements its principle, conditions and means at different stages of the educational process. This approach is based on the content of culture as a means of pedagogy.

The issues of forming the screen culture of students - preservice teachers - are becoming increasingly relevant at the present time, since future teachers must be ready to use new methods and tools in their work. In addition, they must be able to effectively search, analyze and use information that a person mainly receives through the organs of vision. Very important is the aspect that future teachers must be aware of the responsibility for the content that they create and with which they organize the work of students on screens, as well as for how it can affect students. The purpose of the study is to define the components that make up the structure of the screen culture of students - preservice teachers, and to determine the degree of significance of these components. The research is based on the following approaches that form its methodological basis: cultural, communicative, competency-based ones. Research methods include analysis, generalization, synthesis, questioning, the method of expert assessments, and the method of factor analysis. In their work, the authors found out that the structure of the screen culture of student teachers includes axiological, personal, motivational, normative, operational activity-oriented, aesthetic and ethical components. The most significant are the motivational and normative components, which can be combined into a group of institutional factors. The next important group is the group of utilitarian factors, which include the axiological and operational components. The remaining components (personal, aesthetic, ethical) are also included in the structure of screen culture, but do not have much “weight”. The theoretical significance of the study lies in identifying the structural and content characteristics of the screen culture of students in the pedagogical area of training, and in determining the significance of each component in the overall structure of screen culture, which allows us to use the acquired knowledge in further research related to the expansion and formation of the theoretical apparatus of the phenomenon under consideration. The possibility of using the results obtained in the formation of screen culture by developing appropriate pedagogical models and methods that take into account the structural and content characteristics of screen culture accounts for the practical significance of our research.