Keyword: «stylistic device»

The paper focuses on translation methods of English metaphors and similes in literary text. Metaphor and simile translation techniques are analyzed and described on the examples from the novel W. S. Maugham "Theatre". The paper shows the specific features, problems and translation methods of the metaphors and similes.

The article is devoted to the study and analysis of functioning of allusive antroponym as a stylistic device in a literary text of Charles Dickens's novel “Dombey and Son”. The article proposes to consider allusive antroponym as an implicate within the framework of language personality theory, developed in the works of V.N. Telia and Yu.N. Karaulov, and a communicative approach to the literary text analysis. This point of view allows us to take a fresh look at the stylistic device of allusion and its role in a literary text, namely, as a structure that realizes content-conceptual information.

The article is devoted to the analysis of functioning of allusive antroponym stylistic device in a literary text based on the novel “My Son’s Story” by Nadine Gordimer. The study is founded on the theoretical theses proposed in the works of V.I. Suprun, A.V. Superanskaya, N.V. Vasylyeva, Yu.A. Karpenko and other scholars. The author of the article analyses and systematizes the classifications of personal names available in philology. It is offered to regard the text-forming and stylistic functions as the leading ones. The text-forming function is manifested in the text unfolding, irradiation of the name in the context, in the deep elaboration of the author’s ideas in the creation of characters’ images. The stylistic function reveals itself in the appeal to emotive, expressive and evaluative shades of meaning of the allusive name by way of activation of eternal senses of such respectful references as Biblical, Greek-Roman and Shakespeare allusions.

The article deals with the ways of expressing emotions in J. Moyes’ bestseller “Me Before You”. The novelist’s stylistic devices and expressive means are viewed within the context of her imagery and themes. The writer comes to the conclusion that the novel under analysis abounds with figures of speech showing explicit expressive potential. The reader’s emotional feedback is caused in the process of interpretation. Frequent use of emotionally colored tropes accounts for the worldwide popularity of the book.

The article deals with stylistic ways of creating female characters in the classical works of W.S. Maugham and O. Wilde. The writers’ imagery is viewed within the context of motifs and themes touched upon in the novels “Theatre” and “The Picture of Dorian Gray”. Parallels are drawn between the personages of actresses introduced in Maugham and Wilde’s writing. The author comes to the conclusion that Maugham and Wilde’s characterization is based upon a frequent use of tropes showing high expressive potential.