Keyword: «genre»

The article is devoted to the analysis of the specifics of allegorical vision in the literature of England in the medieval period, taking into account the context of literary traditions and features of the mentality of a medieval person formed by cultural and historical conditions. The dream is considered as an artistic device and as a form, structure used by the authors of allegorical poems and called in the article the frame structure, or frame of sleep. There is an active use of the dream frame in Western European literature and discussion of the problem of the genre status of vision-sleep and its typology (J. S. Russell, A. spearing, K. Lynch, G. Phillips). The classification of visions according to Dinzelbacher is given ("allegorical-didactic poems in the form of visions and didactic-allegorical poems-allegorical poems and visions with a real basis). In this regard, such works as "the romance of the rose", "the Vision of Peter the Plowman" by W. Langland, "the Pearl" by an unknown author, "the divine Comedy" by A. Dante are considered. The conclusions of J. L. Goff and Yu.E. Arnautova about the evolution of medieval man's consciousness, expressed in relation to the function of sleep, to the sacredness of its status, are presented. The classification of dreams given by Cicero and Macrobius, as well as the interpretation of dreams by Aristotle and Thomas Aquinas, is presented. The author analyzes the features of the vision-revelation, related to literature, and allegorical vision, belonging to the sphere of fiction. It is concluded that the genre of allegorical vision in England is based on French traditions, synthesizing which with their own literary research, English poets reach real artistic heights. It was the form of sleep as an artistic device and as a structure that became necessary for expressing the worldview of the medieval European.

The article is devoted to the analysis of the philosophical problems of the novel. The article deals with the problems of art, good and evil, religion, love The author of the article analyzes the problems posed by Bulgakov. The article discusses the features of the work. The relevance in the satirical depiction of the Soviet lies in reality. The theme of uplifting tragic love and creativity in an unfree society Bulgakov writes the novel at the dawn of his work. The novel is autobiographical. In the image of the Master, you can recognize Bulgakov himself, and in the image of Margarita, his wife Elena Sergeevna. The novel is regarded as a message to humanity. The novel gives us an idea of Moscow in the 1930s. The most interesting thing is that we read “a novel within a novel”, since in the work the Master writes his own novel called “Pontius Pilate”.

The article collects and summarizes documentary and artistic material about the feat of women of the republic during the Great Patriotic War. The subject of this article is works of different genres, from the first essays, short stories and ending with stories, novels of the last decades by the leading writers of the republic about the labor feat of Kyrgyz women. The method of comparative analysis is used to determine the tendency of documentary texts to a portrait sketch. As a result of the analysis, it was revealed that literary texts increasingly became psychologically truthful in describing heroines; in Kyrgyz literature, the thematic and genre corpus of works about the feat of women is noticeably expanding. Practical results are offered for use in studying the course of Kyrgyz literature of the 20th century.

The article deals with the problem of a new reading of the story «Farewell to Matyora» by the classic of russian literature of the 20th century, Valentin Rasputin. In the context of the technogenic, socio-economic and social challenges of the modern world, the process of globalization, the features of the poetics of the text are revealed, the semantic space, plot structure, figurative system and spiritual locations of the work are explored. The artistic content of the story is organically included in the aesthetics of «village» prose and in the world of the creative individuality of the siberian prose writer.

The article studies the history of Yakut ethnomusicology, the initial stage of its formation is associated with the name of the first Yakut composer and musicologist M.N. Zhirkov. A large role in the research of Yakut musical folklore is associated with the names of Yakut composers G.A. Grigoryan and N.S. Berestov. Fundamental research by E.E. Alekseev laid the foundation for the study of the most pressing issues of Yakut ethnomusicology. His name is due to the fact that the most studied area was the Modes Scales system of the Yakut folk song. Subsequent Yakut ethnomusicologists continued the traditions of the first Yakut researchers in musical science in terms of studying various genres of Yakut traditional songs, musical folklore of the peoples of Yakutia, Siberia and the Far East. The contribution of Yakut ethnomusicologists to science is associated with the collection of folklore material, which they recorded in a wide territory of the North-East of Russia. They outlined further research prospects.