Keyword: «image»

The article examines the poetry that arose after the outbreak of hostilities in the Donbass and after the start of a special military operation. The motive of the poems is determined. Attention is focused on images. The poetry of this time asserts the idea that Russia is fighting for its existence, for the right to live on its native land, for traditional values. Poets demonstrate the courage of Russian soldiers, their willingness to lay down their heads for a righteous cause. They are the salt of the earth. They are opposed by those who have lost their metaphysical connection with their land, with the country.

This article presents a brief description of the national and cultural features of the processes of creating metaphors in Russian and Arabic. The study makes it possible to study and describe the images of the world in different languages, presented with the help of such a universal trope as a metaphor. The examples given in this work demonstrate how the metaphor transforms and fills the semantics of the word with new colors, providing a linguistic personality with great opportunities for constructing bright, attention-grabbing, expressive expressions with which it can vividly reflect the culture, life and traditional values of its people. , convey the subtlest shades of national and cultural meanings and the linguistic picture of the world of their ethnic group.

This article characterizes image as a method of promoting a company. The article is intended for professionals in the field of advertising and public relations.

The article analyzes the problems that arise when images of citizens are involved in creative work by authors. Research on visual arts in the context of the need to respect the rights and legitimate interests of citizens.

The relevance of the study is due to the requirements to increase the recognition of universities and their rating through the presentation of scientific and pedagogical staff, their achievements and the innovative nature of the educational process organization. The purpose of the article is to clarify some theoretical concepts related to the topic under study and to analyze the results of an empirical study conducted to find out the attitude of teachers to the idea of creating their own digital image. Based on the study of an extensive cluster of scientific works, the interdisciplinary concept of "image" is updated, changes in the presentation of the teacher's image in the digital environment are shown. The digital image of a higher school teacher is a reflection of regular processes that involve the personality of a teacher in a new electronic digital environment, in which not only such traditional components as erudition and methodological skills are manifested, but also professional features that have not yet been sufficiently studied, for example, a claim to recognition in a wide society, self-presentation of achievements and self-marketing. The theoretical significance of the study is in clarifying the differences between the concepts of "image" and "portrait" in anthropological sciences, as well as in identifying the main directions for using the concept of "digital image of a higher school teacher" in pedagogical works. An empirical study, consisting of a survey and questioning of teachers in different age groups and with different teaching experience, convincingly proves that the majority of teachers have a positive attitude towards the idea of creating their own digital image, and some of them have such a resource already. The main barriers to this process are a large teaching load, the need to carry out various instructions from the administration, as well as the lack of real motivation on the part of the university administration. The results of the empirical study are practically useful for the administration of universities and heads of structural divisions in the course of the implementation of personnel policy, as well as in order to organize advertising of their educational institutions in the international educational space.