№ 13 (chair of Russian philology, branch of Tambov State Technical University, Tambov)

The article presents a set of preparatory drills – from imitation to proper speech making – when working on impersonal sentences in foreign audience at initial stage of teaching. The specified set of exercises contributes to grammar formation necessary to achieve automatization of impersonal constructions use in speech.

The article deals with a few ways of language representation of the temporal component of the concept «live». The author comes to the conclusion that the phase state as a structural concept element «live» is realized by different units of the language system levels: polysemantic derivatives, word combinations, and the representatives of this conceptual property not only indicate some phase state but fill it with a certain event contents.

The article proves the interaction of the literary context as ideologically-philosophical factor with characters and lives of the novel «Green marquee» by L. Ulitskaya. Intertextual stylistic devices (allusions, reminiscences, citations, biographies of famous culture public figures, etc) are pointed out and carry out the func-tion of expressing the author’s consciousness and characters' delineation in the book by L. Ulitskaya. The significance of creative work by V. Narbut, N. Gorbanevskaya, Yu. Daniel is defined to solve the problem «literature as destiny».

Communicative and pragmatic peculiarities of the language game are distinguished in the article. The model of communicative situation of D. Hymes is put into the bases. A speech game may be built on the violation of each aspects of such situation. The roles of an addresser and an addressee; the category of «subject of speech» (topic); circumstances, it means the place, the date and another important parameters; communica-tive channel; code, that is language, dialect, style, form of communication or a speech genre; communicative event; a key is the assessment of effectiveness of communicative event; the aim is the category which shows the motivation of the participants of the communicative situation.

This article discusses the recently emerged in Russian language neologisms that appeared as a result of word-formation derivation of borrowing from other languages, contamination of two words or phrases, as well as the mixing of the Cyrillic and Latin graphic notation. Explained the value of the most actively used in order to motivate the reasons for their introduction. And characteristic features of word-formation and formal data neoplasms. The article also neologisms are classified by fields of use and sources of borrowing. Determined the validity / invalidity of entry of the foreign words in the active vocabulary of most native speakers of Russian.

The article analyzes the leitmotif of the «adults» in the novel of L. Ulitskaya «Green tent» by exploring functionality wide literary intertext, helping to understand the author's idea, to define the ideological and artistic dominant works, understand the conceptual meanings motivic structures.

The article dwells on the problem of life of wandering in the Russian literature of the second half of the 19th century and the second half of the 20th century. It is proved that there is dialogical correlation between the novel «Rudin» by I.S. Turgenev and «Ark for uninvited» by V. E. Maximov, connected with the authors reference to the biblical image of the Wandering Jew and their consideration of its meaning for the revelation of problems and ideas of the novel contents.

In the article the problems and methods of teaching Russian language and Russian colloquial language at a Chinese University with regard to ethnic and cultural peculiarities of the Chinese audience and the specifics of the Chinese system of students training.

The article touches upon the novel «My Genius, My Angel, My Friend» (2013) by A. P. Rogov. An attmept of analysing the novel from the point of view of spiritual realism is taken for the first time ever. The author concludes that the idealization of the poet-instructor's character is brought to the forefront in the novel. His unique poetic talent is harmonically combined with the keen morality that meets the Christian ideals. The author assumes that a new genre of «ode in spiritual realism prose» appeared within the main genre of artistic biography.

Proceeding from new materials the article comments on V. A. Zhukovsky’s acute interest to Crimeantartar realia connected with the Turkish origin of his mother during his travel in the Crimea in September 1837. The writer’s diary materials also allow stating that he arranged a commemoration party with participation of the emperor’s family and numerous guests for the sake of his pupil and junior friend in the year of A. S. Pushkin’s death.

The article regards the author’s numerous initials in the text «Notes round the corner» by A. Bitov as a peculiar code which allows perceiving the make-up and character of the author’s contemporary literary environment and enriching the text with supplementary historical-literary sense.

Various artistic devices of argumentation are proved to be used in journalistic texts. The original way of expressing orectic argumentation by means of «transforming things» is peculiar to T. Tolstoy’s artistic journalism. The issue of historic progress is embodied in T. Tolstoy’s work with the help of the stylistic device of ironical argumentation: showing transformation of thing-symbol in time.

The article deals with dialectal words thematic group «Man», characterize the personality by occupation employment recorded in the fundamentals of the family names of the Tambov peasants and merchants. The authors point out that certain features of dialect words do their best material for the formation of these nick-names. With the development of antroponimick most of these nicknames is family names basics and «con-serve» dialect words for a long time, keeping intact its form and sound. Undoubted merit as it should be noted that in the examples of the materials business written middle of XVIII – early XIX centuries.

The article is devoted to the study of language problems in the field of culture, language students, reveal the possibilities of effective enrichment speech, values formation attitude towards the language in the process of studying of disciplines of humanitarian cycle.

The article is devoted to the analysis of perpetual generation gap on the examples of the following works «The Mother» and «The Philistines» by Maxim Gorky, «In a Thunderstorm», «Valya», «Doomed to Die» by Sergei Sergeyev-Tsensky. The author of the article focuses on tragic consequences of the religious disconnection of different generations.

The thesis is devoted to the study of the landscape discourse as an author’s explication picture of the world within the Russian lyrics in the late 1960-s and mid 1980-s. The literary works of A. Tarkovsky, B. Chichibabin, N. Rubtsov, Yu. Kuznetsov, A. Kushner, B. Akhmadulina, V. Sosnory, E. Schwartz are analyzed as representative figures of neotraditionalistic and neoavantgarde development vectors of the Russian poetry in the second half of the XXth century.

The article reveals functionality of precedent phenomena of M. E. Saltikov-Schedrin’s fairytales in satirical cycles of E. I. Zamyatin’s fairytales and defines the specific artistic encoding of Schedrin’s satire and reference to the historical analogy of narration interpretation. The creative work of the Russian classical writer proves to be a peculiar system-prototype of Zamyatin’s satire.

The article decodes the poetic-philosophical sense of the expression «poetry-stolen air» which is the main concept of the novel «Green marquee» by L. Ulitskaya, and analyses mutually connected intertext units «Russian metaphysics», «power of the Russian word», that determine the motive and leitmotif structure of the literary work.

The article concerns with the functionality of the expression «deaf-dumbness» in the novel «Green marquee» by L. Ulitskaya and states that the intertext under analysis comes from the Bible texts, classical literature enhanced by the supplementary sense of M. Voloshin’s poetry. It is used by the author of «Green marquee» as a superpersonal precedent phenomenon of Russian literature and culture and the authors of the article define its multi-functionality and a variety of artistic expressiveness.

The article deals with the analysis of Kuprin’s little-studied works from the point of view of precedent phe-nomena usage of Old and New Testament in his stories and essay prose. Researches of The Bible allusions and reminiscences as well as symbolic titles of Kuprin’s stories contribute to deep insight into the author’s intention and ways of creating artistic images.

The article points out poetic principles of history description in the novel «Green marquee» by L. Ulitskaya (2011). The author’s total perception of the literature-centered Russian history of the 18th–20th centuries was embodied in the writer’s books by means of a few invariants: dialogue-based intertexual communication with the precedent fiction, symbolic metaphors of culture heritage objects, foreigners’ external perception of Russian historical realia and appellation bearing hints at analogy between the history of Russia and that of other countries.

Research of phraseological units functioning as a form of the author’s consciousness in fiction opens up new perspectives in the studies of artistic images. PUs in Zamyatin’s «Farewell from nowhere» express his system of characters and the main idea of human return to Christian values. The article analyses the peculiarities of cognitive approach to studying PUs that contribute to effectively considering internal mechanism of creating the lines of narration and the development of literary themes. The choice of PUs reflects the author’s outlook and his ability to describe the surrounding world by means of PUs semantics. This investigation of the novel language is justified because it helps to understand the author’s motives and dependence on his views.

The article proves that the Koran interpretation in A. S. Pushkin’s poetry has gained the currency. Basic scientific approaches to the problem in question have been considered. The comparison of A.S. Pushkin’s and Goethe’s poetry has given rise to the issue of Islam connections in the world literature.

The article proves that Tatiana Tolstaya’s prose contains through-the text artistic device of reality absurdism, based on a complex of folklore poetic comical means: word play, impersonation, interpretation, oxymoron shift. It is concluded that plot-oriented intertext folklore references to conventional satirical humour, absurdity of archaic-mythological aspects allow observing not only similarity of popular humour with Tatiana Tolstaya’s poetics but being aware of the writer’s success in defining national fundamentals of life.

The article dwells on O. Sivun’s pop-art novel «Brand», paying attention to its structure, the character’s per-sonality, the brand influence on mass consumption society. Emphasis is placed on a man surrendering his life to brands, simulacre, imitation thus losing his individuality. The life of society and the individual turns into a conveyor. It is pointed out that devaluation of conventional values is carried out through the transfor-mation of consciousness and conversion of cultural codes.

The article is devoted to study of author (bard) song as song lyrics and its classification. The bard (author) song is a type of text with a particular level of organization. Modern authors and researchers say that in bard (author) song lyrics and music are inseparable unity. Classification of these songs can be correlated with traditional literary and musical genres with the main linguistic characteristics of the text and opinion of the singer-songwriter.

This article analyzes the text units that have the meaning «household life household life» in the prosaic worldview T. Tolstaya and L. Ulitskaya. The analysis showed that the text units with meaning «household life» take a special position in the author's text and have special semantic, grammatical and functional features that combine both traditional productive and innovative meaning. Based on linguistic material has been established that these text units with the author's works in semantics T. Tolstaya and L. Ulitskaya have a number of universal and individual ways of developing the author's semantics in the text, reflecting the uniqueness of vision writers worldview. To demonstrate the specificity of the keywords used in this article lexicographic description techniques, as well as to use their own linguistic analysis of literary text.

In work with talented children the main thing is an individual approach, creation of informative, technically and psychologically comfortable educational environment. Attention to the inner world of the child, the ability to «see» his or her possibilities provide efficiency of pedagogical activity.

The article analyses motif of kindness in the story «Art of living» by L. Ulitskaya, defines its role in the image system, points out bearers of motives, moral, esthetic characteristics of the writer’s stories and reviews the origin of the question.

The article deals with the problem of the socalled «white movement» in Russian literary criticism and the transactions «Motherland» issued during the civil war in Simferopol (The Crimea) being nowadays a bibliographical rarity. The authors analyze the questions of the civil war genesis, its reasons and origin and their reflection in the political journalism of that time.